All EYCK, Jan van Oil Paintings

Flemish Northern Renaissance Painter, ca.1395-1441
 
       VORHERIGE  15  16  17  18  19  20
  VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
 
EYCK, Jan van The Ghent Altarpiece: Adam (detail oil painting


The Ghent Altarpiece: Adam (detail
Gemälde IDENTIFIZIERUNG::  64770 		The Ghent Altarpiece: Adam (detail
1425-29 Oil on wood Cathedral of St Bavo, Ghent There is a passionate interest in facial expression and in character, an instance of this is the difference in treatment between the supernatural figures (God the Father and the Virgin) and those of Adam and Eve who appear as figures from another world, physically as well as spiritually. , EYCK, Jan van , The Ghent Altarpiece: Adam (detail) , 1401-1450 , Flemish , painting , religious
1425-29 Oil on wood Cathedral of St Bavo, Ghent There is a passionate interest in facial expression and in character, an instance of this is the difference in treatment between the supernatural figures (God the Father and the Virgin) and those of Adam and Eve who appear as figures from another world, physically as well as spiritually. , EYCK, Jan van , The Ghent Altarpiece: Adam (detail) , 1401-1450 , Flemish , painting , religious
   
   
     
EYCK, Jan van The Ghent Altarpiece oil painting


The Ghent Altarpiece
Gemälde IDENTIFIZIERUNG::  64771 		The Ghent Altarpiece
1432 Oil on wood Cathedral of St Bavo, Ghent When closed, the altarpiece has on the outside of its wings a large Annunciation. , EYCK, Jan van , The Ghent Altarpiece: Angel of the Annunciation , 1401-1450 , Flemish , painting , religious
1432 Oil on wood Cathedral of St Bavo, Ghent When closed, the altarpiece has on the outside of its wings a large Annunciation. , EYCK, Jan van , The Ghent Altarpiece: Angel of the Annunciation , 1401-1450 , Flemish , painting , religious
   
   
     
EYCK, Jan van The Ghent Altarpiece oil painting


The Ghent Altarpiece
Gemälde IDENTIFIZIERUNG::  64772 		The Ghent Altarpiece
1432 Oil on wood Cathedral of St Bavo, Ghent Prophets Zacharias and Michas are related to the Annunciation through their prophecies given by the text on the floating ribbons. , EYCK, Jan van , The Ghent Altarpiece: Prophet Zacharias , 1401-1450 , Flemish , painting , religious
1432 Oil on wood Cathedral of St Bavo, Ghent Prophets Zacharias and Michas are related to the Annunciation through their prophecies given by the text on the floating ribbons. , EYCK, Jan van , The Ghent Altarpiece: Prophet Zacharias , 1401-1450 , Flemish , painting , religious
   
   
     
EYCK, Jan van The Ghent Altarpiece oil painting


The Ghent Altarpiece
Gemälde IDENTIFIZIERUNG::  64773 		The Ghent Altarpiece
1425-29 Oil on wood, width 37 cm Cathedral of St Bavo, Ghent The scene at top of the niche containing the figure of Adam depicts in grisaille the Offering of Abel and Cain. The scene prefigures both the sacrifice of Christ and the Eucharist. , EYCK, Jan van , The Ghent Altarpiece: The Offering of Abel and Cain , 1401-1450 , Flemish , painting , religious
1425-29 Oil on wood, width 37 cm Cathedral of St Bavo, Ghent The scene at top of the niche containing the figure of Adam depicts in grisaille the Offering of Abel and Cain. The scene prefigures both the sacrifice of Christ and the Eucharist. , EYCK, Jan van , The Ghent Altarpiece: The Offering of Abel and Cain , 1401-1450 , Flemish , painting , religious
   
   
     
EYCK, Jan van The Ghent Altarpiece: Singing Angels oil painting


The Ghent Altarpiece: Singing Angels
Gemälde IDENTIFIZIERUNG::  64774 		The Ghent Altarpiece: Singing Angels
1427-29 Oil on wood, 164,5 x 71,5 cm Cathedral of St Bavo, Ghent The two panels depicting the angels playing music and singing are the most famous details of the altar-piece. Although it has been proposed that they were originally designed to be parts of an organ housing, they clearly fit into the iconographic concept. Connected with the trio of God the Father, surrounded by the Virgin Mary and St John the Baptist, these wingless angels belong to the "heavenly domain", and they not only sing the praises of the Lord but also invoke the music of the spheres. At the same time, their presence is connected to the events depicted in the lower part of the panels: the use of identical sky background proves this. , EYCK, Jan van , The Ghent Altarpiece: Singing Angels , 1401-1450 , Flemish , painting , religious
1427-29 Oil on wood, 164,5 x 71,5 cm Cathedral of St Bavo, Ghent The two panels depicting the angels playing music and singing are the most famous details of the altar-piece. Although it has been proposed that they were originally designed to be parts of an organ housing, they clearly fit into the iconographic concept. Connected with the trio of God the Father, surrounded by the Virgin Mary and St John the Baptist, these wingless angels belong to the "heavenly domain", and they not only sing the praises of the Lord but also invoke the music of the spheres. At the same time, their presence is connected to the events depicted in the lower part of the panels: the use of identical sky background proves this. , EYCK, Jan van , The Ghent Altarpiece: Singing Angels , 1401-1450 , Flemish , painting , religious
   
   
     
       VORHERIGE  15  16  17  18  19
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     EYCK, Jan van
     Flemish Northern Renaissance Painter, ca.1395-1441

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